Based on a New Orleans 2nd line, yes the funeral kind, a tune by Allen Hinds called Elegant Decadence with lots of breathing room for other instruments.
Recorded by another videographer, Paul van Druten, Caravan by the Rosenberg Trio. YT is not doing anyone any favors so we must do it. Gypsy Jazz at it’s finest; Enjoy!
Sure, lots of people shoot with multiple Cameras and match the footage in the edit, but with no graphics card, I can’t do that while processing 4K footage; I wouldn’t be able to see what the footage looks like before rendering. As a work around I use in-Camera settings to make 2 very different Cameras produce images that look similar and usually get away with that. Of course trying to record in a dark Café with LED lights complicates things further, but hey, that’s the challenge that keeps it interesting. Here is another example featuring Allen Hinds with Rat Scat. Hope You like it.
At the end of the season for Tractor pulling there was one Motocross event left for me to experiment with. Rather than focus on the race itself I played with the Camera’s abilities purely to gain more experience. I couldn’t follow the entire course from a single spot anyway, so I put together some footage that leaves a general impression of what attending an MX event looks like, including a few dead spots while waiting for the group of bikes to come around again.
With a number of local events getting rained out I decided on moving indoors, but what? Talent shows? Bars and Cafés? I didn’t want to spend a fortune to gain experience and end up with footage I wouldn’t be allowed to publish. Well, I ran into an event held in a countryside Schoolroom surrounded by pasture land and dairy Farms, so I tried my luck there to see what would happen. With mooing Cows as background noise I shot video from every possible angle but didn’t want to get in the way of the audience. So here is a music video shot while crawling on the floor. This was a good learning experience because the best shots for a Camera are usually in the worst spot for sound. This next video didn’t turn out too badly though, even if I did everything wrong and used the wrong Camera for this situation.
From this footage I learned that the Microphone needs to be in the middle, above the audience and about 8-10ft away from the stage. But how to get it there without the Camera also being there ruining/limiting the video footage?
Answer: a $6 9Ft Fly Fishing Pole and a separate recording device.
At this point I also realized that Microsoft’s wonderful little Moviemaker would no longer suffice to adequately meet my needs; I needed new skills and new software which I’ll get to in the next post. Thanks for reading if you got this far.